We can do something more useful, though, by setting different min and max values for that control:. Here, the Min value is 0. Having done some trial and error experimentation, 0. Feel free to experiment with this though, as slight changes to very small grain lengths in a granular sampler can yield vastly different tones. The Max value is set to 0. This makes it easier to get smaller length values by tweaking the knob.

If you want a longer sample playback window, changing this value to 0. Its complete interface includes a dedicated file search engine to browse with greater ease through your library. A full music universe at your disposal from one of the most important companies in music technology, Native Instrument.

Requirements and additional information:. This download requires a ZIP compatible compressor. The trial version can be tested for 30 minutes. The trial version can be tested for 30 minutes. Some of the options are disabled, like the possibility to save.

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Reaktor Blocks Quickstart.

 
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Tutorial reaktor 6 free download

 
 

This tutorial is the first of a series that will teach the absolute beginner the basics of building a subtractive synth in Reaktor. No prior use or understanding of the Reaktor environment is assumed, and I will do my best to explain every single aspect of the synth from the ground up. This first tutorial will focus on the very basic aspects of building in Reaktor, and creating the bare bones of a synth structure.

As such the end product will not be very complex nor will it be very musical — building a good synth is a lot of work! The most common types are sine wave, triangle wave, sawtooth and square waves also called pulse waves. Since the Reaktor environment is often used simply to open projects created by others, a few options should be switched on before you start building your own projects.

Now that those are set, you should have a project that looks like this:. This is the front panel of your Reaktor instrument, empty since nothing has been added to it yet. The navigator at the top of the picture can be used to quickly traverse between the panel and the structure of the ensemble. To add a module in a Reaktor structure, simply right click, choose the proper menu, and then pick a module to add. In Reaktor, each module can have inputs and outputs that can be connected to other modules Inputs appear on the left hand side of the module, outputs on the right.

To get a sound out of the Sine module, we need to supply it with an amplitude and a pitch. Now connect the output of the Sine module to the input of each of the the Voice Combiner modules that are in turn connected to your speakers.

There is an indicator box on most Reaktor modules that shows whether that module is currently active or not. Inactive elements are generally not connected to the rest of the structure properly, or are turned off with a switch as explained below.

Now we have all 4 of the most basic wave types I mentioned above, but we need to give the user a way to choose which one is active. The easiest way to do this is to use a Switch module. We need to configure the Switch to accept 4 inputs, one for each wave type. Num Ports paramter, and change it to 4. Connect the Sine, Sawtooth, Triangle, and Pulse module outputs to the inputs, and rename the inputs to their corresponding wavetype by double-clicking on them, then connect the output of the Switch into the input of the Voice Combiners.

You may have noticed that all of the modules now have their indicators turned off, and are inactive. This is because the Switch module defaults to be off, and thus none of the oscillators are considered to be active. Choose a waveform from the new menu and, like before, you can play that waveform. Semitone should have a value ranging from a mininum of to a max. Next, Fine Tune should have a value from Next find the Add module also under the Math menu and place two of them in the structure.

Once everything is arranged neatly for clarity, it should look something like this:. Using the navigator to return to the panel, we find it is a mess, with all of the new knobs stacked on top of each other!

Now you can drag and drop elements and rearrange them nicely. Using Macros allows you to represent a substantial amount of Reaktor code with a single module, allowing you to save screen space and reduce clutter, while keeping the code clean.

Add a Macro to the structure you can find one under the Macro menu. For now, it is empty save for the Input and Output modules. To return to parent structure, simply double click on any empty space. For now, the structure is back to being silent until we add something to control the amp of the macro. For the rest of the tutorial I will simply explain the purpose of the modules and give their structures with a quick explanation of how they work and interact with each other they will be fairly self-explanatory, I hope.

An envelope is generally used to control the amplitude of one or more oscillators. For the purpose of this tutorial, a very simple one will do:. This will create a knob to control the parameter, with sensible Min and Max values already set. They will even be named properly!

I prefer to use this method to add controls. The ensemble structure should now look like this:. We will return to the envelope macro in future tutorials and add some bells and whistles. Synthesizers generally have more than one oscillator, in order to create bigger, wider, more complex sounds. Our synth will be no exception. When you duplicate an object, it also duplicates all of the connections that have been made to that module, a feature that can be very useful.

Again, I created a new macro. Now you can attach the oscillators into the inputs so the ensemble structure looks like this:. A filter shapes the sound of an oscillator by boosting or attenuating certain frequencies. Using the built-in filters in Reaktor, I made a quick macro:. Similar to the structure of the Oscillator structure above, this macro allows you to choose one of 3 filter types. You should by now understand how to add the new macro to the end of the audio processing chain, leaving us with this:.

Despite being way longer than I originally intended, there was only space in this tutorial to create a very basic synth. I have focused on making structures that are easy to build, to explain and to understand, rather than ones that are optimal sound-wise. As such, there are countless improvements that can be made to the structure. Even better, we have back-dated this so any purchases you made since have also been credited to your account!

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